Archive for September, 2023
“Orange Shirt Day” in Canada
My colleague Seema Ahluwalia of Kwantlen‘s Sociology department has given me permission to share this:
The Kwantlen Faculty Association (KFA) acknowledges the underlying title and inherent rights of self-determination of Indigenous peoples, and our presence as uninvited guests in the traditional and unceded territories of the xwmƏθkwəyə̓ m (Musqueam), qi̓ cə̓ y̓ (Katzie), SEYMONE (Semiahmoo), scə̓ waθən (Tsawwassen), qiqéyt (Qayqayt), and kwikwəƛə̓ m (Kwikwetlem); and qw̓ ɑ:nƛ̓ ə̓ n̓ (Kwantlen) Peoples.
The truth is we must learn from and alongside Indigenous Peoples in order to make things right.
September 30 was chosen as “Orange Shirt Day” by Indigenous people in 2013 to commemorate and honor the survivors of The Indian Residential School System (IRSS) and those who never returned home. At this time of year, over the course of more than 100 years, Indigenous children were forced to return to IRSS institutions where they were targeted for indoctrination and torture organized by the Canadian state to weaken and destroy Indigenous nations. In 2015, the Truth and Reconciliation Commission of Canada (TRC) recommended that the Canadian government establish a statutory holiday so that Canadians may never forget the history and ongoing legacy of the IRSS. September 30 is now also Canada’s National Day of Truth and Reconciliation.
In solidarity with Indigenous Peoples, we mourn the loss of the children who did not make it home and honor the courageous survivors and their allies who worked for decades to break the walls of silence and denial surrounding the IRSS. On this day of solemn reflection, we acknowledge that racism and religious persecution were used to dispossess Indigenous peoples of their territories, and that we must educate ourselves about the ongoing and current impacts of colonization and genocide on Indigenous peoples. We must do the urgent work of ending systemic racism by engaging in a meaningful process of reconciliation with Indigenous peoples that leads to decolonization.
Many Indigenous leaders have warned that “reconciliation” has stalled and advised that Indigenous perspectives must be employed to understand the critical issues impacting Indigenous peoples. Canadians must ask ourselves how we are holding our governments, associations, and ourselves accountable for the work that must be done and transform our talk into action.
On September 30, we encourage Canadians to learn, reflect, and act.
Here are some resources that you may find useful:
Truth and Reconciliation Commission of Canada: 94 Calls to Action
Calls to Action Accountability: A 2022 Status Update on Reconciliation
Semiahmoo First Nation 3rd Annual Walk for Truth & Reconciliation: Sept 30, 2023
National Centre for Truth and Reconciliation: Lunch and Learn Webinars, Sept 25 – 29
Sign CLC’s petition “Justice for First Nations’, Inuit, and Metis is Long Overdue”
BCFED Reconciliation Plan Framework
TRUTH AND RECONCILIATION: CUPE TAKING ACTION THROUGH COLLECTIVE BARGAINING
UFCW: Indigenous Rights and the Workplace Bargaining Guide
Support Services and Resources:
Indian Residential School Survivors’ Society: Toll-Free Line 1 800 721 0066
Indian Residential School Crisis Line: (604) 985-4464
Hope For Wellness: Toll-Free Line 1 (855) 242-3310
Metis Crisis Line: 1 (833) 638-4722
KUU-US Crisis Line: 1 800 588 8717
Tsow-Tun-Le Lum: 1 866 925 4419
“Farewell to a Poor Bastard”
This 1995 photograph is from the book Drawn & Quarterly: Twenty-Five Years of Contemporary Cartooning, Comics, and Graphic Novels. It depicts five comics artists who founded a new era and style of autobiographical narrative: Adrian Tomine, Julie Doucet, Chester Brown, Seth, and Joe Matt. After I purchased this wonderful book and first saw this photograph, I could have fainted. I have just about everything each of them has ever published. Each of these artists has altered how I regard literature, art, and life.
Joe Matt is the fellow on the right. He seemed to disappear a few years ago, to the point that his books were no longer available from Drawn & Quarterly. I asked one of the owners of Olympia, Washington’s Danger Room Comics (you must go there!) what was going on with Joe Matt, and he told me that Seth (second from right, above) stays in touch with him; this seemed to me a courteous and circumspect way to indicate that Matt was not doing well.
It was impossible to love Joe Matt without also being intensely exasperated by him. The love and exasperation weren’t in tension but fed off each other: Caring for him was inextricable from irritation at the myriad ways he exercised his gift for self-sabotage. …
The cartoon Joe Matt was a cheapskate, lazy, shallow, and, worst of all, a swinish boyfriend who neglected his flesh-and-blood partners in preference to chronic masturbation to pornography and fantasizing about other women.
This self-portrait of the artist as a young jerkoff earned Joe an intense cult following who marveled at his gift for self-revelation as well as his impeccable comic timing. The real Joe shared many traits with his cartoon alter ego—but also a warmth that won him many friends. …
I got to know Joe Matt while I was working as a journalist in Toronto in the 1990s. I would occasionally write about Joe’s work and also that of his two cartoonist friends Chester Brown and Seth (who sometimes showed up as comic foils in Joe’s work). I had shown my wife, Robin Ganev, Joe’s just published graphic novel, The Poor Bastard. Robin delighted in the book as an accurate portrayal of the dating scene among young Toronto bohemians in the 1990s. Joe’s portrait of himself as a heel impressed her as an essentially accurate rendering of an all-too-common male type. As my friend the journalist Nathalie Atkinson notes, “Many women love Joe Matt’s comics—in part because he confirms everything we suspected.” Despite enjoying the work, Robin wasn’t quite sure she wanted to meet Joe in the flesh. Like Jacqueline Susann after reading Philip Roth’s masturbatory masterpiece Portnoy’s Complaint (1969), Robin admired the work but was reluctant to shake the hand.
As it happened, when she met him, Robin took to Joe immediately. He was witty, self-deprecating, a responsive listener, and disarmingly willing to share personal information.
—
September 27: The Comics Journal has published a series of reminiscences by Joe Matt’s cartoonist colleagues. They are all really good, but the piece by Seth had me in tears by the time I got to the end of it, so rich is it with memory and conflicting emotions, admiration and love side by side with disdain and disapproval. It’s art.
—
Kristi Coulter
My friend Kristi Coulter and I go back a ways – to the old Usenet newsgroup days of the early 90s, particularly the newsgroup alt.music.alternative.female, where her insights enlightened me and her prose style thrilled me. In 1997 I asked her to write for a project I was starting called Ellavon: An ezine of basic culture. My editor’s input into her work consisted of never having a single thing to change in her submissions – nothing, literally nothing, not even a comma (something that had never happened before or since in my career as a professional editor) – and then asking her for another piece.
Kristi’s career as a published writer went quiet for awhile after Ellavon was put on hiatus, but she was very busy professionally otherwise, editing AllMusic.com and then working in a variety of roles at Amazon, which is the topic of her second book, Exit Interview: The Life and Death of My Ambitious Career.
The book received a very laudatory prepublication review in the New York Times:
And here’s a very fun interview in The Stranger, Seattle’s famous alternative weekly:
Anniversary
My sister-in-law kept calling until I finally answered. She said, “Turn on CNN.” I did, just as the second tower came crashing down. I thought there must have been sleep in my eyes, so I went and washed my face.
Fall term …
… starts today at Kwantlen Polytechnic University. I have 85 new students, and life is very good.
The Nashville Basils
For my birthday my grandson Colby sent me his first Polaroid photos. I am feeling very lucky and grateful today.
The artist himself:
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